Franz Joseph Haydn Videos
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Franz Joseph Haydn Top Songs
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• Quartet No. 2 in E flat - 4th movement - Franz Joseph Haydn
• Concerto in C, H.VIIB-1- Adagio - Franz Joseph Haydn
• Allegro con spirito - Franz Joseph Haydn
• Adagio cantabile - Un poco allegro - Franz Joseph Haydn
• Adagio - Franz Joseph Haydn
• Adagio - Franz Joseph Haydn
• Andante o piu tosto allegretto - Franz Joseph Haydn
• Allegro molto - Franz Joseph Haydn
• Allegro moderato - Franz Joseph Haydn
• String quartet in C major, op.76 no.3- Allegro - Franz Joseph Haydn
• Adagio - Franz Joseph Haydn
• Allegro - Franz Joseph Haydn
• Symphony No.88 in G Major: I. Adagio - Allegro - Franz Joseph Haydn
• Vivace - Franz Joseph Haydn
• Symphony No.88 in G Major: II. Largo - Franz Joseph Haydn
• Rondo - Franz Joseph Haydn
• Symphony No.1 in D Major: I. Presto - Franz Joseph Haydn
• Allegro Molto - Franz Joseph Haydn
• Symphony No.3 in G Major: II. Andante moderato - Franz Joseph Haydn
• Symphony No.3 in G Major: III. Menuet & Trio - Franz Joseph Haydn
• Symphony No.4 in D Major: I. Presto - Franz Joseph Haydn
• Symphony No.3 in G Major: IV. Finale: Alla breve - Allegro - Franz Joseph Haydn
• Symphony No.1 in D Major: II. Andante - Franz Joseph Haydn
• Symphony No.2 in C Major: I. Allegro - Franz Joseph Haydn
• 'Surprise' Symphony: II - Franz Joseph Haydn
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Franz Joseph Haydn Discography
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• Haydn Piano Sonatas - Franz Joseph Haydn
• Haydn: Symphonies Nos. 70-81 - Franz Joseph Haydn
• Haydn: Symphonies Nos. 82-87 - The Paris Symphonies - The Esterházy Recordings - Franz Joseph Haydn
• Haydn: Symphonies Nos. 1-20 - The Esterházy Recordings - Franz Joseph Haydn
• Haydn: Symphonies 88-92 & Sinfonia Concertante - Franz Joseph Haydn
• String Quartets Op. 77 - Franz Joseph Haydn
• Haydn: Sonatas For Fortepiano, Hob. Xvi: 28, 29 And 32/ Variations In F Minor, Hob. Xvii:6 - Franz Joseph Haydn
• Haydn: Symphonies Nos. 14-21 - Franz Joseph Haydn
• Haydn: Die Jahreszeiten (the Seasons) - Franz Joseph Haydn
• Symphonies Nos. 80, 83, 84 & 87 - 89 - Franz Joseph Haydn
• Die Schopfung (The Creation) - Franz Joseph Haydn
• Piano Sonatas Nos. 48-52 - Franz Joseph Haydn
• Piano Sonatas Nos. 53-58 - Franz Joseph Haydn
• Piano Sonatas Nos. 59-62 - Franz Joseph Haydn
• Joseph Haydn: String Quartets Op. 33 - Franz Joseph Haydn
• String Quartets Op. 74 - Franz Joseph Haydn
• Haydn: Sonatas Nos. 33, 38, 58, 60 - Franz Joseph Haydn
• Symphonies 83, 101, and 104 - Franz Joseph Haydn
• Masses - Franz Joseph Haydn
• Missa Cellensis/Paukenmesse/Schopfungsmesse - Franz Joseph Haydn
• String Quartet Op. 71, Nos 1-3 - Franz Joseph Haydn
• Early Symphonies (Nos. 4, 6, 9, and 13) - Franz Joseph Haydn
• Symphonies Nos. 28, 18, and 52 - Franz Joseph Haydn
• The Seasons - Franz Joseph Haydn
• Joseph - Haydn: Die Schöpfung - Franz Joseph Haydn
• London Symphonies 93, 94 and 92 - Franz Joseph Haydn
• Symphonies 83 - 85 - Franz Joseph Haydn
• Mass In F Major / Mass In C Minor - Franz Joseph Haydn
• Missa Solemnis - Franz Joseph Haydn
• Cello Concertos - Franz Joseph Haydn
• Haydn Symphonies 39, 34, 40, 50 - Franz Joseph Haydn
• Symphonies 93-98 - Franz Joseph Haydn
• "Sturm And Drang" Symphonies Nos. 44-49 - Franz Joseph Haydn
• Haydn: String Quartets, Op 50 Nos 1-3 - Franz Joseph Haydn
• String Quartets, Op 50 Nos 4-6 - Franz Joseph Haydn
• Symphonies 99-104 - Franz Joseph Haydn
• London Trios and Divertimentos - Franz Joseph Haydn
• life and works - Franz Joseph Haydn
• Seven Last Words Of Our Saviour On The Cross (the) - Franz Joseph Haydn
• The Seasons (Highlights) - Franz Joseph Haydn
• String Quartets, Op.33 No. 3, Op. 77 - Franz Joseph Haydn
• Early Divertimento Sonatas For Keyboard, Nos. 1-20 - Franz Joseph Haydn
• Symphonies Nos. 92, 94, and 96 - Franz Joseph Haydn
• String Quartets, Op. 2 - Franz Joseph Haydn
• Haydin Piano Sonatas - Franz Joseph Haydn
• Complete Solo Keyboard Music, Vol. 8 - Franz Joseph Haydn
• Cello Concertos - Franz Joseph Haydn
• String Quartets Op. 3, Nos. 3-6 - Franz Joseph Haydn
• Haydn Cello Concertos, Nos. 1 & 2 - Franz Joseph Haydn
• Complete Solo Keyboard Music, Vol. 7 - Esterhazy Sonatas Ii - Franz Joseph Haydn
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Franz Joseph Haydn Sheet Music
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Trumpet Concerto - Trumpet/Piano
By Franz Joseph Haydn (1732-1809), arranged by Carl Bowman. Set of performance parts (includes separate pull out trumpet part) for trumpet and piano. Schirmer Library Vol.1804. 37 pages. Published by G. Schirmer, Inc.
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Violin Concerto In G Major
By Franz Joseph Haydn (1732-1809), edited by Ferdinand Kuechler. Hob. VIIa: 4. Set of performance parts (includes separate pull-out violin part) for violin and piano. 28 pages. Published by C.F. Peters.
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Haydn, Mozart and Beethoven: Major Choral Works
By Franz Joseph Haydn (1732-1809), Ludwig van Beethoven (1770-1827), Wolfgang Amadeus Mozart (1756-1791). CD Sheet Music for choral. Major choral works by Haydn, Mozart, and Beethoven. Printable and viewable for PC and Macintosh. Series: CD Sheet Music (Version 1). 2200 pages. Published by Theodore Presser Co.
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Six Duets For Two Violins
By Franz Joseph Haydn (1732-1809), edited by Marty Winkler. Set of performance parts (includes separate pull-out violin parts) for violin duet. Intermediate. 58 pages. Published by Alfred Publishing.
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Cello Concerto In C Major, Hob. VIIb: 1
By Franz Joseph Haydn (1732-1809), edited by Klaus Burmeister. Hob. VIIb: 1. Set of performance parts (includes separate pull-out cello part) for cello and piano. Photoprint edition - publisher prints this title after order is received. C Major. 54 pages. Published by C.F. Peters.
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Haydn & Scarlatti: The Complete Keyboard Sonatas (Version 2.0)
CD Sheet Music. By Domenico Scarlatti, Franz Joseph Haydn. (Piano). CD Sheet Music (Version 2.0). CD-ROM only. 8 pages. Published by CD Sheet Music.
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Haydn: String Quartets (Version 2.0)
By Franz Joseph Haydn (1732-1809). CD-ROM only for string quartet. Series: CD Sheet Music (Version 2.0). 8 pages. Published by CD Sheet Music.
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Complete Piano Sonatas, Vol. 2
By Franz Joseph Haydn (1732-1809). Collection for solo piano. 234 pages. Published by Dover Publications.
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Complete Piano Sonatas, Volume III
By Franz Joseph Haydn (1732-1809), edited by Georg Feder. Collection for Piano (Harpsichord), 2-hands. Urtext edition-paper bound. 122 pages. Published by G. Henle.
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Complete Piano Sonatas - Vol. 1 (Hoboken Nos. 1-29)
By Franz Joseph Haydn (1732-1809). Collection for solo piano. 217 pages. Published by Dover Publications.
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Haydn: The London Symphonies, Vol. 1 |
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List Price:
$17.98 | |
Amazon.com Price: $13.99 |
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Publisher:
Philips |
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Amazon.com sales rank: 4180 |
| Average customer
rating: 4.5 |
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Comparison - Jochum's Set vs. Colin Davis'
Jochum and London Phil deliver the highest level of Haydn playing just like Colin Davis and Concertgebow do. I own both and tried to compare between two.
Jochum adds plenty of personal touches that decidedly grab your attention. You hear poignant romanticism or Beethoven-like roar in many places. Colin Davis, by comparison, lets the music flow naturally and makes it sound more balanced. Colin Davis sure gets a lot of help from the gorgeous Concertgebow band - silky but vivacious strings, show-stopping woodwinds, bright brass section, etc. In his set, you hear more of the orchestra than Colin Davis. I think it's the other way around in Jochum set. Concergebow's sound is more transparent and charmingly light-footed while London Phil sounds fuller and creamier without losing crispness. You get more agility and refinement from Davis set. You get more expressiveness and warmth from Jochum's.
Let me emphasize that all of the good qualities I attributed to either of the sets actually exist in both (they are inherently in Haydn's writing). It's just that some qualities are more apparent in one than the other.
As to the recording, Colin Davis set has more sparkle and vividness. It sounds more modern. Jochum's has a typical old-fashioned analogue sound in a very good way. It has plenty of natural ambience but doesn't sound muddy.
I recommend you buy both of these delightful and affordable sets. I never regretted doing so :-)
Haydn's London Symphonies
Haydn's twelve London Symphonies represent the culmination of Haydn's long and slow development as a symphonist. They remain among the greatest most varied set of symphonies ever written. Haydn composed them in two sets of six, for two lengthy trips to London in 1791 --1792 and 1794 -- 1795. The symphonies have been recorded in their entirety by many conductors, including Beecham, Scherchen,Bernstein, Jochum, and Van Karajan, but the set by Sir Colin Davis conducting the Royal Concertgebouw Orchestra is justly renowned. Davis's readings are available on two two-CD sets from Phillips, each of which sell at a modest price. There is no better way for the newcomer to get to know Haydn's masterworks. The first of the Phillips volumes, which I discuss here includes three of the earlier symphonies of the group, nos. 95,96, and 98, together with the magisterial final three symphonies, nos 102, 103, and 104.
Haydn's music speaks to the beginner in music (Remember the slow movement of the "surprise" symphony, known to every child.) as well as to the most demanding listener. The London audience for which he wrote them consisted both of people who knew little of music together with highly knowledgeable and sophisticated music lovers. Haydn had the ability to please both. The London symphonies are full of memorable and simple tunes, concertante solos for many instruments, jokes, and gimmicks. But they also include great musical variety, highly original slow introductions which become deeply integrated with the body of the work, deep slow movements, great development of material, creative orchestration, and extensive use of counterpoint. The symphonies have best been described as exemplifying a "sense of grandeur". They are large-scale, serious compositions, full of ease and mastery. They are also very much products of the Enlightenment as they move from their slow and mysterious openings through to their lively, positive, and triumphant conclusions.
The earliest of the London symphonies is the Symphony no. 96 in D major sometimes called the "Miracle". This is a simpler work than most of its companions. It opens with a fanfare slow introduction followed by a lively theme. Moments to listen for include the oboe solos at the end of the introduction and in the trio of the third movement, the counterpoint in the minor key in the slow movement, and the solos for flute and violin near the end of the slow movement.
The symphony no 95 in C minor is the only one of the London symphonies in a minor key and the only one without a slow introduction. It juxtaposes major and minor key elements coming to a major, triumphal close in the first movement. The first movement consists of an angular, angry minor key opening theme, followed by a long, lyrical theme in a major key. The second movement is a theme and variation while the minuet returns to the minor. The solo cello has large roles in the two middle movement. The finale is in the major with a great deal of fugal writing.
The symphony no 98 in B flat major is together with the following symphony no. 99, on of my favorites of the first nine of these symphonies. The slow introduction is, unusually, in the minor key and it is followed by a movement of great lightness with much counterpoint. The slow movement is one of Haydn's most sublime, probably written to commemorate the death of Mozart, with echoes of the slow movement of Mozart's "Jupiter" symphony. The minuet includes a trio for wind soloists while the swirling, humorous finale includes solo passages for the violin and, at the end, for the piano. (Haydn accompanied from the keyboard during the initial performances of these works.)
The final three symphonies of the "London" set are large-scaled masterpieces, the summit of the series. They were written for performance at the Opera Hall; and Haydn took full advantage of the orchestra and accoustics available to him to say his last word in symphonic form. There is much to hear and rehear in these symphonies.
The sympnony no. 102 in B flat major opens with a slow, largo introduction for the strings followed by a fast movement with two contrasting themes and a large-scaled development. The second movement is probably Haydn's best, as it glows with feeling and romance. The finale is a perpetuum mobile, developed canonically, with a theme that is tossed continually among the various instruments of the orchestra.
The "Drum-roll" symphony no. 103, opens with the instrument for which it is named followed by a growling introduction in the lower strings. In many ways, this symphony is similar to Haydn's Oratorio, "The Creation", composed subsequent to the London symphonies, with its movement from darkness to light. Unusually, the opening introductory material returns at the conclusion of the first movement. In the minuet of this symphony, Haydn moves from some simple, rustic writing for woodwinds to an immediately following theme for the violins of great urbanity. Haydn develops his final movement from some simple material, which he uses contrapuntally and with variety.
With its combination of depth, sophistication,wit,and highest mastery, the London symphony, in D major, No. 104, is my favorite of the set. It is a large work which begins with a minor-key and solemn introduction followed by an unusually lively and triumphant opening allegro. The slow movement is song-like with a darker middle section in the minor key. The minuet again features solos for winds in the trio, but the highlight of this symphony is its finale. Over a continuous drone, the orchestra articulates a theme, possibly derived from an English street tune, and develops it thoroughly from wit to grandeur. It is an apt conclusion to Haydn's symphonic career.
This is a set that can be heard many times, with increasing pleasure and discovery. Haydn's London Symphonies are among music's lasting joys. They are beautifully performed by Sir Colin Davis and the Amsterdam Concertgebouw.
Robin Friedman
This is a good bargain but I don't recommend the performance
One of my favorite conductors, Colin Davis, is not at his best here. The Dorati and Bruggen sets are both preferable.
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